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Ok, here we go again folks! Yet another example of how crazy the world has gotten. This is one move that sent a seismic shockwave throughout the music industry. Upending what a lot of peeps thought would never happen. Xania Monet, an AI-generated artist, was awarded a $3 Million recording contract with Hallwood Media!

This one deal alone has sparked a conflagration across the musical landscape, setting up one of the most significant milestones since the advent of artificial intelligence blasted into the music industry. Like an asteroid striking earths plain, intense debate has erupted about the future of human artistry. Is it, game over? Where will it go from here? Let’s take a look behind the curtain.

Xania Monet. Who is This Entity?

Well, it sure isn’t flesh and blood, and sure not born of humankind. A performer? No, but a virtual R&B artist created by a human artist, by the name of Telisha “Nikki” Jones. Yes, a Mississippi based poet and designer. Using the Suno AI music platform, Jones has transformed her lyrics into full-fledged songs. Completed with synthetic vocals, instruments, and to boot, a digital persona! With Monet’s breakout single, “How Was I Supposed to Know?”, this Frankenstein has already topped the R&B Digital Song sales chart and amazingly has amassed millions of streams! Who would have thunk it?!

All this aside, Jones wrote all of the lyrics and claims full ownership of production, the voice, Monet’s image, and music composition, all of which is AI-generated. The meat in this sausage is that the lines are blurred between human creativity and machine learned execution! This is the controversy du jour at hand today. Please pass the mustard!

Industry Reactions: Celebration and Concern

This beast is raising the hairs off the backs of some notable people in the music industry. While some hail this insane deal as a breakthrough in the democratization of music production, many others are seeing this as a nasty threat to the integrity of the art form in general. With artists like SZA and Kehlani publicly criticizing this move by a music publisher and label, arguing that it devalues the work of established human musicians and those coming up in the ranks. Kehlani has expressed her frustration over AI artist receiving accolades without doing the “real work”, while SZA raised concerns about the environmental and ethical implications of AI in the field of music.

Veterans in the music industry like Freddie Gibbs have voiced skepticism on this move, noting that AI-generated lyrics and beats could totally undermined the authenticity of music creation.

Legal and Ethical Quagmires

Suno, the platform behind Xania Monet’s music, has raised a great deal of thorny questions. Currently, Suno is facing lawsuits from major recording labels for allegedly ‘scraping copyrighted material from YouTube to train its models.’ The U.S. Copyright Office has stated that works created entirely by machines are not eligible for copyright protection, which could complicate claims in ownership and royalties.

What This Means for Human Artists

This is a game changer and the implications are profound.

• Reduced Barriers, Increased Competition: With AI tools like Suno entering the marketplace, saturation will be immense. Anyone with a creative prompt or story can produce a polished piece of music. While this will democratize access to produce music of various forms, flooding the market. It will inevitably make it harder for human artists to emerge or stand out of the crowd.

• Job Displacement: We’ve all heard the phrase “faster and cheaper”. Well with algorithms replicating such talent with speed and cheaper costs, guess who’ll get left in the dust. Studio musicians, producers, background vocalists, you name it and they’ll most likely be replaced by synthetic entities.

• The Authenticity Crisis: With AI-generated personas emerging on the music scene, fans will inevitably struggle to connect emotionally. Think about it, an artificial world is emerging, and the illusion of intimacy will become more distorted and twisted when the artists aren’t even real. This is already a challenge in pop culture. Imagine this across the board!

• Live Performance Dilemma: Try this one on for size. What will a Xania Monet concert look like? Is it a hologram, or a lip-syncing human proxy prancing about on stage? Without a tangible human performer actually performing, this could erode the communal experience of what a live music experience is all about. Intimacy, connecting with the audience, that will be a thing of the past.

A Fork in the Road

Standing at the crossroads is the music industry. One road offers powerful tools for creativity, accessibility, and innovation. The other road, a threat. One that commodifies music turning it into an algorithmic output of ‘meh’, stripping away its soul and killing its resonance. Tangibility will also be a thing of the past.

Are AI-assisted works possibly eligible for music awards? Recording Academy CEO Harvey Mason Jr. thinks so. With that said, AI-generated songs won’t be recognized in categories like songwriting, that’s for sure. With this in mind, I believe there needs to be a hard line drawn in the sand for transparency and safeguards to keep human artistry as the central focus, and it needs to remain that way.

Conclusion: Coexistence or Competition?

Is it a harbinger that Xania Monet’s record deal is a headline today of what is to come? It depends on what becomes of AI as a collaborator or as a competitor to human musicians. It also depends on how the regulators, music industry, and audiences respond to this paradigm shift in the culture. You can count on this! The future of music will not be shaped just by talent alone, but by the ever-evolving beast of technology. “It’s alive!”

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