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The Impending Crisis for Music Producers: Facing a Stark Reality
Exploring the Challenges and Uncertainties Facing Today’s Music Producers

MaurosArt
Well, here we are, folks. The ever-shifting sands of the music production landscape have shifted so much that producers, in general, are facing an existential crisis. The droning, relentless march, and ceaseless pressures of social media, ever-emerging music technologies, and the overwhelming supremacy of streaming platforms have converged like an overloaded semi-truck and Volkswagen Beatle competing to merge onto a one-lane elevated ramp; a perfect storm. The sword of Damocles, looming over the heads of music producers threatens to slice them to bits, in an apocalyptic scenario to which they balance on the brink of obsolescence.
Social Media Tyranny
Like an unforgiving overlord, social media dictates the terms and rules of engagement. In the world of music, we’re talking about platforms, like TikTok, Instagram, and YouTube. They have high demands to stay relevant with fetters of constant content creation chaining many a producer to a perpetual torcher device. Mainly, that dastardly keyboard and controller, where the pressure is so intense to go viral or be forgotten among the heaps of daily compiled content generated by the masses. The digital dust field of unrequited notoriety is littered with innovative producers cast aside by the latest and greatest “go viral” sensation muscling in on the action.
New Music Technologies and its Onslaught
The market is over-saturated with amateur producers due to the new technologies in music development. This mass of ‘producers’ has diluted the quality of music to which, it is nearly impossible for any talented producer to stand out from the crowd. The whole thing about ‘the democratization of music production’ has been great, and very promising but, it has led to a market that is so oversaturated that truly talented artists have often been drowned out by all the noise. The growing advancements in technology and its relentless pace have placed heavy demands for constant adaptation to the tools. If you can’t keep up, you’ll be left behind. This is a frustrating aspect as many who have achieved the necessary skills will most often be rendered obsolete, by the time the next software update is implemented.
The Streaming Platform Stranglehold
Spotify, Apple Music, and Amazon Music have become the gatekeepers operating the streaming platforms of the music industry, with their incredible powers over the channels of music delivery, they dictate who and what gets heard. The real ugly thing about the whole setup is that it is one big cruel joke, given how they modeled the revenue streams. High-volume streams take the top shelf leaving the independent, small-guy producers out in the cold struggling to earn a living. Sad but true, their algorithms are designed in such a way, that unique, talented, and innovative sounds will often never see the light of day. Like a Boa constrictor, the stranglehold of these streaming platforms tightens with every exhale as the elusive dream of making it big succumbs to the big emptiness of the digital ether.
“…the pressure is so intense to go viral or be forgotten among the heaps of daily compiled content generated by the masses.”
Amidst the Darkness, There Are Glimmers of Hope
Don’t let my writing bring you down. Despite this ugly, bleak landscape I painted for you, there are glimmers of hope, though faint, but they may offer something of a lifeline to hard-pressed music producer:
· Direct-to-Fan Platforms: To get past the gatekeepers, there are platforms, that offer a sanctuary where producers can connect directly to their audience. Platforms like Patreon and Bandcamp are sites that can help producers with building a sustainable revenue stream.
· Collaborative Technologies: When it comes to expanding creative horizons, advances in collaborative tools and virtual studios are great, enabling producers and artists, around the world, to work together in expanding their creative processes to generate new works.
· Blockchain and NFTs: Another revolutionary way for producers to monetize their work is through Blockchain technology and non-fungible tokens. Where traditional revenue models continue to fail, these new technologies offer better compensation and ownership rights.
· Educational Resources: Given how fast, and with breakneck speed, these new technologies come on board, there is still hope to stay abreast of the latest. With lifelines like online courses proliferating cyberspace, producers can stay up to date, on the latest software upgrades, with the latest technologies and trends, ever building and enhancing their skill sets and holding a stronger competitive edge.
· Mental Health Initiatives: The state of affairs within the music industry, with its ever-increasing pressures, to produce and perform, has created an industry with immense crushing pressures. But this presence is known in the industry, and there is an increase in awareness and the resources to help those needing mental healthcare in the management of life working as a music producer, in helping to promote a healthier work-life balance.
The Strength of The Human Spirit
The grim reality in today's market is the downfall of music producers, folding to the pressures of and forces of the relentless assault from, new technologies, streaming platforms, and that beast of beasts, social media. But the darkness will not prevail for long. The strength of the human spirit will always open up to new and emerging possibilities offering more than just a glimpse of hope. The resilience of human ingenuity will always prevail. Producers can forge new opportunities and adapt by embracing the industry’s harsh realities. With inner strength, producers can weather the storms and find new paths to survive the onslaught.
Did You Know?
At the first Grammy Awards, held on 4 May 1959, Domenico Modugno beat out Frank Sinatra and Peggy Lee for the Record of the Year, with “Volare.”
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Take The R ’n R Music Quiz!
Answers will be revealed in the next issue of Rhythm ‘n Role. Good luck!
1. Who is known as the “King of Swing”?
a) Duke Ellington b) Benny Goodman c) Glenn Miller d) Count Basie e) Artie Shaw
2. Which song by Billie Holiday became a powerful protest against racism?
a) “God Bless the Child” b) “Strange Fruit” c) “Summertime” d) “Lover Man” e) “All of Me”
3. Which bandleader is famous for the song “In the Mood”?
a) Duke Ellington b) Benny Goodman c) Glenn Miller d) Count Basie e) Tommy Dorsey
4. Who sang “Over the Rainbow” in the movie “The Wizard of Oz”?
a) Judy Garland b) Doris Day c) Ella Fitzgerald d) Billie Holiday e) Peggy Lee
5. Which song by Duke Ellington is considered a jazz standard?
a) “Take the ‘A’ Train” b) “Mood Indigo” c) “It Don’t Mean a Thing (If It Ain’t Got That Swing)” d) “Sophisticated Lady” e) “Caravan”
Answers to last R ’n R issues Music Quiz: 1a, 2a, 3a, 4a, 5a
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